Designers – Top Line

Stefano Romanello

admin-adigi — Fri, 30 Jan 2026 17:06:22 +0000

Top Line

admin-adigi — Fri, 17 Feb 2023 14:53:55 +0000

Project design signifies a marriage of form and function.
Due to the fact that we specialize in the contract sector, we must pay high attention to the ergonomic and aesthetic aspect, and then incorporate them into products that are winners, especially in terms of costs.
Over the years at Top Line we have achieved a project know-how abandoning a range of many specific styles in favor of focusing on one contemporary style, which is at times humorous but always logical and pleasing. Whether dealing with stackable chairs, armchairs, stools or tables, every Top Line product is designed to last, not only aesthetically but also structurally, thanks to excellent standards of workmanship and a consistent selection of the best quality materials.

Werther Toffoloni

admin-adigi — Fri, 17 Feb 2023 14:53:23 +0000

Werther Toffoloni was born in Udine in 1930 and studied in Venice.
He began to teach industrial design from the beginning of his career and has worked in various industries as a designer and art consultant.
With its Studio Tipi, he was a major player in the design for many of the Italian companies in the furniture industry.
The main feature of the entire project activity of Werther Toffoloni from the beginning was to look for the perfect combination of aesthetic research and design that takes into account the methods of production, use and the environment in which the products are destined. This was the only dominant from the beginning of his activity clearly under the influence of the theories of the Bauhaus and the pursuit of “gute form” strongly present in the first years of his professional training.

Andrea Tempestini

admin-adigi — Fri, 17 Feb 2023 14:52:59 +0000

He was born in Rome in 1978 and graduated in architecture in 2004. He started his activity at “Studio Architetti Tempestini” working on architectural projects, renovation of private houses, shops and offices. He designs objects and customized furnishing and for industrial design and he’s got patent for seats. He signed some products for factories such as: Bontempi Casa, F2 Form and Function, Genesi International, Spazio 08, Top Line (Novas Design), Tonelli Design, Unico Italia. From 2008 up to 2013 some of his design projects were exposed at the permanent collection at “Spazio 120” Gallery in Rome.

Fabio Di Bartolomei

admin-adigi — Fri, 17 Feb 2023 14:51:06 +0000

Fabio Di Bartolomei was born in Udine (I), the town in which he still lives.

In 1979 he set up his own Design Agency in Udine (I) and later established international contacts which led to the opening of satellite offices in: NewYork (USA), Brendale Brisbane Qld (AU).

Di Bartolomei is involved in Industrial & Interior Design, Design of exhibitions, planning of buildings.

Some of his works have also been selected and exhibited in museums like: “The Museum of Modern Art” il MoMa di New York in the exhibition of “Mutant materials in contemporary design” and in “The Cornig Museum of Glass” di Cornig-NY (USA). His personal Design exhibitions have been set up in Italy as well as abroad.

His commitment to design is also extended to publishing. He has several years headings, on the design theme, in some known magazines.

Loris Favero

admin-adigi — Fri, 17 Feb 2023 14:50:16 +0000

I started my work as a designer in the years ‘90s drawing mainly chairs for companies of the “Chair Triangle” and soon after I started designing food packaging. Some managers told me that I had a lot of talent in designing PET bottles for mineral water. Between the years 1995 and 1998 I received many prizes and awards in this area, I obtained success all over Europe. I had received the awards not only for the charming appearance of the packaging design but also for the particular and innovative technical performances. At the beginning of the new century I restarted to designing chairs, armchairs and stools and also furnishings. The goal is to draw the perfect balance between the formal aspect and the right mix of technological innovation.